
I know it’s a few years late to jump aboard the Veronica Mars bandwagon, but I just couldn’t help myself. I will say that it has been a budget-concious way of spending a dreary Easter long weekend. When it was on the telebox a few years back, I can admit I dismissed the show off-hand as too teen-drama-y. But I think I’m sufficiently past my own adolescence now to enjoy it, even as a guilty pleasure.
One suprising thing watching the series now however, is how much it says about class warfare. It’s one of those topics that bubbles beneath the surface for the most part, but with the G20 riots and the general populist outcry over executive bonuses, it’s a lot more forward in people’s minds than it would have been 3-5 years ago when the show was being made.
It’s been the case since the dawn of money, that the poor have always despised the rich for their elitism, sense of self-superiority and sometimes undeserved privilege. On the other hand the rich have always despised the poor for their envy, what they see as a lack of sophistication and sometimes lack of willingness to work as hard as they have to achieve their social and financial standing.
Australia, where I grew up, considers itself a relatively classless (i.e. majority middle-class) society. However, over time it’s heading towards an American model, with a middle class, an underclass and a super-privileged class. England, where I live now, is different; where as class distinctions in Britain used to be much clearer, now they are less so than they used to be, but the social hierarchy is far from disappeared. People project their class ranking particularly through their accent, which reflects where they were brought up and where they went to school. However, people today avoid speaking with certain privileged accents which used to be popular, as to be seen as too fancy or too upper-class is seen as a social faux-pas. The move has been away from “The Queen’s English” (Received Pronunciation) toward Estuary English or even “Mockney”.
In the US (and increasingly in Australia), the rich do not necessarily mark themselves by their accent, but by extravagant, conspicuous consumption. This is what has lead to phenomenons such as the stretch Hummer, Vertu mobile phones, Gulf Stream private jets and $900 designer dog beds. This is the consumption which really stirs up the populist rage, because it says that to the rich, money is frivilous and what is bought with it is of little consequence. Contrast this with the very poor, who have less money than needed to afford the bare neccessities of food and shelter, and it’s easy to see the source of that rage.
This is what Veronica Mars showcases (albiet in a very particular Southern Californian setting), which is very rarely seen on televison. Which, along with the great script writing makes for a compelling show.
Recent Comments